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By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. Heavy is a “gorgeous, gutting…generous” ( The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. In this powerful, provocative, and universally lauded memoir-winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize-genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” ( Entertainment Weekly). “If you’re going to spend your money that way, then make sure you spend an equal amount of money, and/or time, letting your legislature know that women need to ,” said Halse Anderson, who was wearing a “Got consent?” T-shirt.*Named a Best Book of 2018 by the New York Times, Publishers Weekly, NPR, Broadly, Buzzfeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* When it comes to rectifying rape culture, work needs to be done beyond using empowerment slogans on our clothing and bumper stickers, both authors said.
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“Then I wasn’t, thank goodness, and then I wrote a book.” When Abcarian asked why it took both authors so long to disclose their rape, they explained that silence is fueled by the deep-seated shame that rape culture instills in survivors.
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“I don’t even know the names of the other people speaking,” Love said. Gay’s name on the schedule was the sole reason Edward Farmer, 36, and Kai Love, 35, came to the Festival of Books, which continues through Sunday on the USC campus.
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RELATED: Full Festival of Books coverage » “The whole point of me being here, you should know, is so I get to sit next to Roxane onstage,” the YA author said. The packed auditorium was filled with Gay’s loyal band of followers, who erupted in a roar at the mere sight of her.
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“It’s just like, ‘Here’s the truth, and it’s either going to punch you in the gut or offer some comfort.’”
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Halse Anderson explained why she chose to write “Shout,” her response to the #MeToo movement, in free verse as opposed to giving a clear-cut storyline: “Poetry is writing from the bone marrow,” she said. Gay’s been crowned a cultural critic for her New York Times bestsellers “Bad Feminist” and “Hunger,” but her latest, she told The Times, isn’t about her at all. Gay edited the 2018 anthology “Not That Bad: Dispatches From Rape Culture,” a collection of contributors’ essays exploring the spectrum of survival Anderson’s 2019 memoir, “Shout,” tells the story of her own assault as a 13-year-old through free-verse poetry. Times Festival of Books, Times columnist Robin Abcarian moderated a discussion with Gay and Halse Anderson about their latest books that deal with the repercussions of rape culture. “All the time we tell women to forgive - forgiveness,” quipped Gay, using a different F-word. And despite the conversation’s sensitive nature, they laughed. An entranced audience hunched forward in their seats at USC’s Bovard Auditorium to hear authors Roxane Gay and Laurie Halse Anderson discuss their latest on rape culture.